The complex of depots and workshops of the Croatian National Theatre in Zagreb is undergoing a huge makeover at the moment. The facade is getting a new, distinctive look thanks to a combination of bricks and golden paint with black elements, while the refashioning of the entire area of the complex is coming to an end
Born and raised in Dubrovnik, Dubravka Šeparović Mušović, the national champion of the Croatian National Theatre in Zagreb was torn between music and architecture for a long time, having completed her architecture studies before enrolling in the Academy of Music…
Luigi Colani’s ingenious design solutions inspired by nature did not end up as a footnote in historical studies on industrial design of the second half of the 20th century; they continue to live on through Roberto Guerini’s foundation
Our associate in Udine had a chat with the Argentinian-Canadian writer Alberto Manguel, this year’s winner of the Nonino Prize, which is regarded as a precursor to sealing the deal with the illustrious Nobel Prize
Photographer and artist Stephan Lupino is currently wrapping up two monumental iron dragon sculptures. The two represent the good and the evil dragon, each weighing half a ton. Lupino says that they will soon be joined by an apocalyptic dragon, in line with the times we live in
On the occasion of the 45th anniversary of the legendary Bijelo Dugme’s album Bitanga i Princeza (“The Scoundrel and the Princess”), Croatia Records presents a special reissue with a new sound and the original, then censored cover
After the Iron Maiden sculpture was sold at a charity auction in Warsaw for a whopping 712,000 euros, everyone wants a piece of Varaždin sculptor Nikola Vudrag’s genius mind
Throughout its history, the Croatian National Theatre in Zagreb has amassed one iron and seven painted curtains that are unveiled on various festive occasions. This is an exceptionally large number of curtains even for the largest theatre, and the drapes in question were made by some of the most prominent Croatian
visual artists
The media once referred to Branislava Podrumac as the “Serbian Maria Callas”. Although she is too modest to agree with this flattering comparison, the audiences’ ovations leave no room for doubt as to the extent of her remarkable talent