{"id":4424,"date":"2025-06-09T20:07:50","date_gmt":"2025-06-09T20:07:50","guid":{"rendered":"https:\/\/symbol-quorum.com\/?p=4424"},"modified":"2025-05-22T20:17:22","modified_gmt":"2025-05-22T20:17:22","slug":"theatre-is-built-on-unity-faith-in-art-and-openness-to-the-future","status":"publish","type":"post","link":"https:\/\/symbol-quorum.com\/en\/theatre-is-built-on-unity-faith-in-art-and-openness-to-the-future\/","title":{"rendered":"\u201cTheatre Is Built on Unity, Faith in Art, and Openness to the Future\u201d"},"content":{"rendered":"\n
Pi\u0161e: Jana Haluza
Fotografije: Sandra \u0160imunovi\u0107 \/ Pixsell<\/pre>\n\n\n\n
…<\/p>\n\n\n\n
A little over half of Iva Hraste So\u010do\u2019s term as Director of the Croatian National Theatre in Zagreb has passed, and she is steadily and confidently moving toward achieving her goals. Nearly all performances\u2014opera, ballet, and drama\u2014are practically sold out, the theatre is established and highly respected on the global stage, and the countdown has begun for the opening of a new stage at Ad\u017eijina Street 7a, at the location of the former workshop and set storage area.<\/p>\n\n\n\n
This will be a new opportunity to further expand an already rich repertoire, as the three ensembles are in constant competition for more stage time. In March this year, during the annual election assembly of Opera Europa\u2014the world\u2019s largest association of opera houses and festivals, which includes over 240 members from 46 countries\u2014Iva Hraste So\u010do was elected Vice President, further strengthening the reputation and influence of our national theatre within the European opera community.<\/p>\n\n\n\n
The secret to her success is clear: top quality always comes first, along with care for the status of every employee.<\/p>\n\n\n\n
She appointed one of the world\u2019s greatest opera conductors, Italian Pier Giorgio Morandi, as honorary chief conductor\u2014something he proudly includes in his biographies printed in playbills for performances at major venues like La Scala in Milan, the Metropolitan Opera in New York, and the Vienna State Opera. His involvement guarantees productions worthy of the world\u2019s greatest opera houses.<\/p>\n\n\n\n
In the ballet department, she managed to resolve the issue of dancers\u2019 early retirement rights in a short period after years of delays, and rejuvenated the ensemble with younger talent, which sparked new production possibilities. Halfway through her term, she entrusted the drama department to internationally acclaimed playwright Tena \u0160tivi\u010di\u0107, who has brought HNK\u2019s drama and its classical repertoire into alignment with the latest global theatrical trends.<\/p>\n\n\n\n
Although there is no real need to expand the theatre\u2019s popularity or attract more subscribers or viewers, Iva Hraste So\u010do is investing in the long-term sustainability of the theatre through various initiatives\u2014such as organizing performances for children from Zagreb\u2019s shelters or connecting high art with youth events, such as the recent party held in the theatre foyer under the name \u201cAfter Young Werther.\u201d<\/p>\n\n\n\n
\"\"<\/figure>\n\n\n\n
How did you come to the decision to run for the position of Director of the Croatian National Theatre in Zagreb?<\/strong><\/p>\n\n\n\n
That decision developed naturally over the years through my work in the theatre and communication with colleagues and staff. The experiences I gained in various stages of my career\u2014as an artist, diplomat, and Assistant Minister for Theatre and International Cultural Cooperation\u2014gave me a broader perspective, a deeper understanding of both the artistic process and institutional operations. All of this was invaluable in taking on this role.<\/p>\n\n\n\n
Looking back at your two and a half years in office, how do you view your accomplishments?<\/strong><\/p>\n\n\n\n
I\u2019m pleased. We\u2019ve made a number of important advances\u2014not just in our repertoire but also in creating better working conditions. There\u2019s a stronger sense of satisfaction among the employees\u2014artists, administration, and technical staff. The Croatian government enabled the HNK to exit the Civil Service Coefficients Regulation, which opened the door for salary increases after a decade of neglect in that area. We\u2019re building a new stage, and we\u2019ve achieved numerous strategic goals.<\/p>\n\n\n\n
Our productions and artists have won several prestigious awards, and with over 5,600 subscribers\u2014a historic record!\u2014and full houses, it\u2019s clear we\u2019ve taken a good direction with our programming.<\/p>\n\n\n\n
How would you assess the current state of the ensembles?<\/strong><\/p>\n\n\n\n
The HNK ensembles are undergoing a significant phase of renewal and development. In the Opera, we have an exceptionally strong lineup\u2014from established soloists to younger singers who are already achieving remarkable success, and a truly outstanding choir and orchestra. With such an artistic base, under the leadership of Maestro Pier Giorgio Morandi and Opera Director \u017deljka Bari\u0161i\u0107 Pulig, we\u2019ve reached a performance level worthy of the most prestigious European houses, as confirmed by audience reactions.<\/p>\n\n\n\n
In Ballet, under the artistic direction of Massimiliano Volpini, we\u2019ve introduced new energy and contemporary technical excellence. By rejuvenating the ensemble and launching a Ballet Studio aimed at preserving Croatian talent within our troupe, we\u2019ve laid the foundation for long-term growth.<\/p>\n\n\n\n
Drama is entering a fresh phase under Tena \u0160tivi\u010di\u0107, whose international experience and vision for the drama ensemble is already leading to important shifts in how theatre is conceptualized.<\/p>\n\n\n\n
In all our artistic departments, we support programs that nurture young artists and give them the opportunity for artistic development, including scholarship programs in Drama, Opera, and Ballet.<\/p>\n\n\n\n
The new stage at Ad\u017eijina Street is about to open. How important is it for the theatre\u2019s operations?<\/strong><\/p>\n\n\n\n
It\u2019s extremely important. It\u2019s a crucial step toward resolving the issue of using the same stage for all three branches\u2014opera, drama, and ballet. The new stage, with a capacity of around 320 seats, will ease the pressure on the main stage and allow greater flexibility in planning rehearsals and performances. The project is funded by the Government of the Republic of Croatia through the Ministry of Culture and Media, and the opening is expected in November.<\/p>\n\n\n\n
\"\"
20.01.2025., Zagreb- Intedantica HNK Zagreb Iva Hraste Soco. Photo: Sandra Simunovic\/PIXSELL<\/figcaption><\/figure>\n\n\n\n
This year marks the 130th anniversary of the HNK building. How are you celebrating that milestone?<\/strong><\/p>\n\n\n\n
This major anniversary is very important to us, which is why we\u2019ve dedicated the entire year to it. We\u2019re celebrating it under the patronage of the Government of the Republic of Croatia, which recognized its significance. As part of this celebration, we marked the 100th performance of \u201cTko pjeva, zlo ne misli\u201d (\u201cHe Who Sings Means No Harm\u201d) by hosting children from Zagreb orphanages, and the 200th performance of the ballet \u201cGiselle.\u201d In future performances of this classic piece, our principal dancers Iva Viti\u0107 Gameiro and Guilherme Gameiro Alves will share the stage with stars from Milan\u2019s La Scala, Nicoletta Manni and Timofej Andrijashenko. We will also open the first theatrical pop-up museum in Croatia, a kind of nucleus of a future permanent museum, which will bring the rich history of the HNK to life through interactive screens and artifacts placed throughout different locations within the building.<\/p>\n\n\n\n
In October, we\u2019ll also mark the 130th anniversary of the birth of Jakov Gotovac with gala performances of his operas \u201cEro the Joker\u201d and \u201cThe Stranger,\u201d accompanied by a dedicated exhibition… The central event will be the launch of a comprehensive monograph that covers everything\u2014from Stankovi\u0107\u2019s theatre in the Upper Town, to the architecture of our building and its cultural significance, the development of our repertoire, and a look ahead to the future and the new stage.<\/p>\n\n\n\n
The Zagreb Opera Festival is entering its third edition this autumn. What is its role?<\/strong><\/p>\n\n\n\n
The festival was created as part of my program for the director position. I believed\u2014and practice has confirmed\u2014that the time was right for the HNK, as the largest national institution, to become the centre of such an international gathering. In the first year, we included our national theatres and Ljubljana; last year we welcomed theatres from Maribor, Belgrade, Warsaw, and Palma de Mallorca. Our goal is to position Zagreb as a relevant destination on the European opera map.<\/p>\n\n\n\n
Sponsors have become an important part of your business model. How important are they to the theatre?<\/strong><\/p>\n\n\n\n
Extremely important. We\u2019ve intensified cooperation with the private sector since the beginning of my term. Partnerships with institutions like Croatian Postal Bank and Bosqar Invest have provided us with additional income, but also improved the audience experience. This approach to sponsorship\u2014as a genuine partnership\u2014is the foundation of our operations.<\/p>\n\n\n\n
\"\"<\/figure>\n\n\n\n
How does the HNK today balance between classical and contemporary expression?<\/strong><\/p>\n\n\n\n
In Opera and Ballet, the classical repertoire dominates, which our audience recognizes and appreciates. However, we also produce contemporary works, such as Para\u0107\u2019s \u201cJudita\u201d or the ballet triptych \u201cBroken Relationships.\u201d In Drama, we nurture relevance and a dialogue with the present, as seen in \u201cCrime and Punishment\u201d or the upcoming production \u201cThe Years.\u201d Overall, we strive for a balance between tradition and modernity.<\/p>\n\n\n\n
Your work has been internationally recognized as well: you were recently appointed Vice President of Opera Europa, the largest association of opera houses, and are also a jury member for international awards. What does this mean for HNK and Croatian culture?<\/strong><\/p>\n\n\n\n
Aside from being personally meaningful, it places the HNK in Zagreb within the European cultural dialogue. It opens doors for co-productions and international touring, and it gives our artists more opportunities to gain recognition beyond Croatia.<\/p>\n\n\n\n
At the last meeting in Barcelona, there were more than 260 directors from around the world\u2014and they were all well aware of the HNK in Zagreb. Our theatre is a member of the European platform FEDORA, and at this year\u2019s Fedora Prizes Biennale, I served as a jury member, as well as a member of the panel for the International Opera Awards.<\/p>\n\n\n\n
Additionally, our productions are featured on OperaVision, a platform that allows opera lovers around the world to watch our programs.<\/p>\n\n\n\n
How do you attract a new audience?<\/strong><\/p>\n\n\n\n
Through various formats\u2014from social media campaigns to projects like
\u201cAfter Young Werther,\u201d where we merged opera with a party concept. We plan to do something similar soon with drama.<\/p>\n\n\n\n
Our goal is to bring theatre closer to younger audiences, not just through the content, but also through atmosphere, approach, and communication. We also organize workshops and quizzes around drama performances\u2014this season, for \u201cMeasure for Measure\u201d and \u201cCrime and Punishment.\u201d<\/p>\n\n\n\n
You still teach at the Academy of Dramatic Art and the Academy of Music. What motivates you most in this work?<\/strong><\/p>\n\n\n\n
Theatre is my fundamental drive. Although the role of director is complex and demands managerial, financial, and communication skills, what continuously inspires me is the artistic process, whose production principles I try to pass on to my students.<\/p>\n\n\n\n
I\u2019m happiest when I can be at a rehearsal, watching a new performance take shape. That\u2019s the heart of the theatre.<\/p>\n\n\n\n
\"\"
20.01.2025., Zagreb- Intedantica HNK Zagreb Iva Hraste Soco. Photo: Sandra Simunovic\/PIXSELL<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"
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